Tuesday, May 5, 2015 at 9:58AM The 10th anniversary of Latin America's largest 'genre' film festival, Fantaspoa, launches May 15 in Porto Alegre, Brazil, featuring over 70 horror, fantasy and science-fiction features (WARNING - some images NSFW).
Tuesday, May 5, 2015 at 9:49AM Described by Festival Director Nashen Moodley as a "living archive', this extraordinary multi-media presentation conveys 61 years of defining cultural history in the life of the Harbour City's iconic cinema event, the Sydney Film Festival. Click here for the journey to begin...
Tuesday, May 5, 2015 at 9:43AM Director Rodney Ascher follows his conspiracy theorist dream project, Room 237, with his frightening study of the 'sleep terror' phenomenon, The Nightmare.
Tuesday, May 5, 2015 at 9:40AM Acclaimed photographer Annie Leibowitz shoots the cast and crew of Star Wars The Force Awakens for Vanity Fair's June cover story.
Saturday, April 4, 2015 at 3:48PM Kicking off April 9, the seven day programme is one of New York's leading annual film events, relocating after 35 years at MoMA to Cinema Village on East 12th St.
Saturday, April 4, 2015 at 12:58PM The original theatrical trailer for Steven Spielberg's Raiders of the Lost Ark is afforded a frame-by-frame, high-definition, digital upgrade.
Saturday, April 4, 2015 at 12:54PM The hottest young actress in Hollywood, Maika Monroe, talks to IGN about her breakout indie horror hits It Follows and The Guest.
Saturday, April 4, 2015 at 12:18PM Director Spencer Estabrook applies some old-school practical effects magic to bring his alpha-predator to life in the 2013 short film, The Hunt.
Tuesday, October 7, 2014 at 5:48PM Ahead of it's Australian film festival rollout in late 2014, Film4 Frightfest head Alan Jones discusses Lost Soul: The Doomed Journey of Richard Stanley's The Isalnd of Dr Moreau with the film's director, David Gregory.
Tuesday, October 7, 2014 at 5:30PM Originally aired on the IFC, Sofia Coppola's 1998 debut short introduces many of the thematic elements (loner female protagonist, outsider perspectives) and stylistic flourishes (all her films have opened with the lead actress being driven) that have nade her work so idiosyncratic.
