THE SCREEN-SPACE FAVOURITE FILMS OF 2023

As I write this, we near the final week of 2023, and the industry question that all the trade papers are pondering is, “Is cinema back?”

Variety notes that, unless Wonka and Aquaman and The Lost Kingdom overperform, the domestic U.S. box office will fall just shy of $9billion - the number that analysts have set as a healthy highwater mark for the first full twelve months of cinema patronage, post-COVID. Fact is, if Ant-Man and the Wasp: Quantumania or Indiana Jones and The Dial of Destiny or Mission: Impossible - Dead Reckoning Part 1 had realised their full potential; or, if The Marvels had contributed at all; or, if the biggest industrial action in Hollywood history hadn’t bumped to 2024 a bevy of pics (including the one-two Zendaya punch of Dune: Part Two and Challengers), that $9billion would’ve been shrinking in the rear-view mirror.

Also, let’s not ignore the phenomenon that was #Barbenheimer, an unambiguous pop culture moment that proved that movies can still cut through and hold the global society in their thrall. Some sequels worked just fine (Spider-Man: Across the Spider-Verse; Guardians of the Galaxy Vol. 3; John Wick: Chapter 4); fresh content connected (M3GAN; Five Nights at Freddy; Sound of Freedom); and, nostalgia proved lucrative (The Super Mario Bros. Movie; The Little Mermaid). 

And that Variety article also points out that, although 2023 will fall short of $10b-$11b levels that were de rigueur pre-COVID, studios also premiered a lot less movies this year. There were 88 films released in 2023 compared to 108 in 2019, when ticket sales reached $10.5 billion. 

So…well, there’s still some ground to make up but, yeah, cinema is back.

Here are my favourites of 2023.

Simon Foster
Editor, SCREEN-SPACE

1. ANATOMY OF A FALL (Dir: Justine Triet | Stars Sandra Hüller, Swann Arlaud, Milo Machado Graner | France | 171 mins) The framework is a cop/court procedural - did he fall? was he pushed? what does the boy know? - and Anatomy of a Fall is a compelling take on that well-worn genre. There’s more to Justine Triet’s best ever film, however. A marriage is imploding; a child is witness to the disintegration of his stability; violence dwells and swells within this middle-class setting. Anatomy of a Fall is anxiety as an artform; an intimate epic about the deceitful depths we plumb to not only keep secrets but convince ourselves we are justified in doing so. As 2023 closes out, Sandra Hüller is the finest European actress of her generation (see also, The Zone of Interest). 

2. THE CONCERT FILM - TAYLOR SWIFT: THE ERAS TOUR (Dir: Sam Wrench | USA | 169 mins); RENAISSANCE: A FILM BY BEYONCÉ (Dir: Beyoncé, Ed Burke | USA | 169 mins); STOP MAKING SENSE Remastered (Dir: Jonathan Demme | USA | 88 mins) Can the concert documentary recapture the immersive thrill of the world’s biggest music shows? No, of course not, but the very best do what any great cinema does and conjure a version of reality that enhances it as only film can. Whether it is the giddy performance highs that Taylor Swift’s The Eras Tour delivered, or the glimpse inside a brilliant diva-artist’s creative process that Beyoncé’s Renaissance revealed, there was no matching the sheer cinematic bravado they provided in 2023. Or in 1984, for that matter, as the remastered Stop Making Sense reaffirmed. 

3. PAST LIVES (Dir: Celine Song | Stars Greta Lee, Teo Yoo, John Magaro | USA, South Korea | 105 mins) The year’s most beautiful  narrative examines a soulful connection that fate keeps determinedly apart…in this life, anyway. Celine Song wrote and directed a deconstruction of love that tears at the very fibre of what we’ve been conditioned to expect a screen romance should be. Greta Lee has a Best Actress nomination in the bag; the denouement will reduce you to sobs.     

4. GODZILLA MINUS ONE (Dir: Takashi Yamazaki | Stars Minami Hamabe, Ryunosuke Kamiki, Sakura Ando | Japan | 124 mins) It’s been seven years since Toho Studios released a Godzilla adventure; in the interim, those amongst us who worship at the mighty lizard’s talons have had to settle for just-OK Hollywood versions. This year, Toho and FX maestro-turned-director Takashi Yamazaki took Godzilla back to a post WWII Japan, crafting the most heartfelt, exciting action blockbuster of the year.     

5. PERFECT DAYS (Dir: Wim Wenders | Stars Kôji Yakusho, Tokio Emoto, Arisa Nakano | Japan, Germany | 123 mins) Kôji Yakusho won the Cannes Best Actor trophy as Hirayama, a Tokyo everyman who finds contentment in life’s smallest details. A book by lamplight; his favourite driving song; a sandwich in the park; the slightest moment of shared joy with a stranger. There’s more to Hirayama’s inner life, of course, but director Wim Wenders will take you there when he’s ready. Afterwards, you’ll float from the cinema.   

6. BARBIE (Dir: Greta Gerwig | Stars Margot Robbie, Ryan Gosling | USA | 114 mins) When Greta and Margot had a dolly playdate, moviegoers to the tune of US$1.45billion - the highest global gross in Warner Bros. history - joined in the fun. After years of script development, the final polish came amidst The #MeToo Movement and Trump’s toxic reign; the result was the smartest, funniest possible brand-based film adaptation ever. 

7. BEYOND UTOPIA (Dir: Madeleine Gavin | USA | 115) No capes and tights defined this year’s greatest film hero. His name is Pastor Seungeun Kim, a South Korean human rights activist whose efforts to aid a family of five seeking refuge from North Korea’s heartless regime makes for the most gripping and heartbreaking factual filmmaking experience 0f 2023. A great geopolitical thriller and bracing testament to the importance of film journalism.  

8. REALITY (Dir: Tina Satter | Stars Sydney Sweeney, Josh Hamilton, Marchánt Davis | USA | 83 mins) As the intelligence specialist who blew the whistle on Russia’s involvement in the 2016 election, Sydney Sweeney went from being next-big-thing to Big Thing. In Tina Satter’s ultra-realistic portrayal of Reality Winner’s takedown, Sweeney conveys a brittle fragility grounded in a bedrock of integrity; a few decades back, Shelley Duvall or Sissy Spacek would have similarly nailed the part.    

9. NIMONA (Dirs: Nick Bruno, Troy Quane | Voice cast Stars Chloë Grace Moretz, Riz Ahmed, Eugene Lee Yang | USA | 101 mins) Imagine a fantasy world where the latest Disney princess is not the bog standard hetero-normative stereotype, but instead an androgynous punk-rock shapeshifter with a taste for wicked misadventure. Stunning design and progressive but non-preachy plotting make Nimona a line-in-the-sand moment for one of cinema’s oldest disciplines. 

10. BOTTOMS (Dir: Emma Seligman | Stars Rachel Sennott, Ayo Edebiri, Ruby Cruz | USA | 91 mins) Sennot and Seligman signposted their MO with Shiva Baby a few years back - cringey, character-based comedy with a tart mouth and big heart. Their sophomore effort is more of the same, with the added sheen of a studio teen pic but no-less brimming with their indie ‘f**k off’ joie de vivre. It-girl Ayo Edibiri seals the deal. 

THE NEXT BEST TEN:

• TIME ADDICTS (Dir: Sam Odlum | Stars Freya Tingley, Charles Grounds, Joshua Morton | Australia | 97 mins)
• TO CATCH A KILLER (Dir: Damián Szifron | Stars Shailene Woodley, Ben Mendelsohn, Jovan Adepo | USA, Canada | 119 mins)
• ASTEROID CITY (Dir: Wes Anderson | Stars Jason Schwartzman, Scarlett Johansson, Tom Hanks | USA, Germany | 105 mins)
• POOR THINGS (Dir: Yorgos Lanthimos | Stars Emma Stone, Willem Dafoe, Mark Rufalo | Ireland, United Kingdom, USA | 141 mins)
• STILL: A MICHAEL J. FOX MOVIE (Dir: Davis Guggenheim | USA | 95 mins)
• THE MOTHER OF ALL LIES (Dir: Asmae El Moudir | Stars Mohamed El Moudir, Asmae ElMoudir, Zahra Jeddaoui | Morocco, Egypt, Saudi Arabia, Qatar | 96 mins)
• OPPENHEIMER (Dir: Christopher Nolan | Stars Cillian Murphy, Robert Downey Jr., Emily Blunt | USA, UK | 180 mins)
• MISSION: IMPOSSIBLE - DEAD RECKONING PART 1 (Dir: Christopher McQuarrie | Stars Tom Cruise, Hayley Atwell, Esai Morales | USA | 163 mins)
• CALIGULA: THE ULTIMATE CUT (Dir: Thomas Negovan, Tinto Brass | Stars Malcolm McDowell, Helen Mirren, Peter O’Toole | USA | 178 mins)
• HE AIN’T HEAVY (Dir: David Vincent Smith | Stars Leila George, Sam Corlett, Greta Scacchi | Australia | 103 mins)