FCCA SHELL OUT TOP TROPHIES FOR MEMOIR OF A SNAIL

Oscar-winner Adam Elliott can now add three Film Critics Circle of Australia gongs to his trophy cabinet after his latest stop-motion gem Memoir of a Snail topped the winner’s list at the 2024 FCCA Awards ceremony last night.

Despite not being able to attend, Elliott expressed his gratitude via two separate pre-recorded video messages as his film’s dominance became apparent, ultimately earning Best Film, Best Director and Best Screenplay honours. He pointed out that award recognition represented “crowbars” for independent filmmakers, opening doors to financing and distribution opportunities.

Other category winners represented an even spread across the best of Australian filmmaking in 2024. Best Actor went to industry veteran Hugo Weaving for his role as a bushland hermit in Mark Leonard Winter’s The Rooster (pictured, right). Lenser Andrew Commis, a previous FCCA winner for High Ground (2022), took Best Cinematography for Robert Connolly’s Force of Nature: The Dry 2.

Up against a star-studded list of Best Actress nominees including Sarah Snook and Anna Torv, Phoebe Tonkin triumphed for her portrayal of a tough-as-nails single mom in Paul Goldman’s Kid Snow (pictured, below); the director accepted on the actress’ behalf. Supporting performances to feel FCCA member’s love were Damon Herriman for Michael Gracey’s Better Man and Ingrid Tonelli for Colin and Cameron Cairnes’ Late Night with The Devil.

In the most dramatic moment of the night’s pacey proceedings, the Best Documentary Feature prize was split amongst dual winners. First announced was James Bradley’s Welcome to Babel, a profile of Chinese-Australian artist Jiawei Shen's creative process, followed by Matty Hannon’s The Road to Patagonia, an epic romantic adventure that unfolds across continents. Both filmmakers were present to give detailed accounts of their respective film’s journeys. 

Pushed to mid-May by some organizational issues, the ceremony, hosted by FCCA President Rod Quinn, served as a fitting reminder of the quality cinema that came from Down Under last year. Guests included actress Kate Fitzpatrick, who recounted her adventures on the recent New Zealand shoot of Renny Harlin’s Deep Water; veteran actor Nicholas Hope, best known for the cult shocker Bad Boy Bubby; and, documentarian and former FCCA winner Tom Zubrycki. Also attending were dignitaries from FCCA supporters Bunya Productions, See Saw Films and Madman Films.

 

FCCA 2018 WINNERS SPAN A CENTURY OF AUSTRALIAN STORIES

The Australian film sector’s long and prestigious history of period films was kept alive in 2018, according to the voting members of the Film Critics Circle of Australia. Warwick Thornton’s turn-of-the-century outback thriller Sweet Country, Bruce Beresford’s mid-century melodrama Ladies in Black and Simon Baker’s ‘70s-set coming-of-age surfing drama Breath were the big winners at the FCCA’s annual Award Ceremony, held last night in the auditorium of the Paddington/Woollahra R.S.L. Club in inner–city Sydney.

The evening was attended by some of the industry’s most revered names, with Oscar-winning DOP John Seale (The English Patient, 1996), Gallipoli leading man Mark Lee, thesps Amanda Muggleton and Andrew McFarlane and beloved acting icon Lorraine Bayly on hand to present key categories. Other guests included FCCA President Rose Capp, writer/director Ted Wilson (Under the Cover of Cloud, 2018), entertainer Paul Capsis, and actor/director Alex Lykos (Alex & Eve, 2016; Me & My Left Brain, 2019).

Sweet Country, Thornton’s brutal manhunt ‘western’, earned three of the night’s top honours, winning Best Film, Best Director and Best Lead Actor for Hamilton Morris (pictured, right; Morris with co-star Natassia Gorey Furber); producer David Jowsey accepted on behalf of all the production’s honorees. The film has been an awards season favourite since its premiere at the Venice Film Festival, where it took out the event’s Critic’s Prize. It has since secured the best picture trophy at the AACTA Awards and Asia Pacific Screen Awards, along with major gongs at the Adelaide and Toronto film festivals.

A hit with domestic audiences, Ladies in Black had been long in development before Beresford’s clout helped it come to fruition. The adaptation of Madeline St John’s novel won Best Lead Actress for Angourie Rice (producer Allanah Zitserman present to accept on behalf of her leading lady), as well Best Supporting Actress for industry great Noni Hazelhurst and Best Original Score for Christopher Gordon’s orchestration.

Simon Baker’s directorial debut Breath, an adaptation of Tim Winton’s acclaimed semi-autobiographical novel, earned the director the Supporting Actor trophy for his role as an emotionally troubled surfer. As the film’s only representative on the night, Baker made several trips to the podium on behalf of his collaborators; he shared Best Screenplay honours with co-scribe Gerard Lee, while editor Dany Cooper and cinematographers Marden Dean and Rick Rifici were rewarded for their contributions. (Pictured, left; Baker with co-stars Ben Spence, centre, and Samson Coulter)

One of the most successful box-office years for feature length factual films led to a hotly contested Best Documentary category. In the end, a specially selected five person jury could not split Catherine Scott’s Backtrack Boys and Paul Damien Williams’ Gurrumul for top honours, resulting in a rare ‘joint award’. A clearly moved Scott noted that her film has swept audience polls at several festivals, including both the Sydney Film Festival and Melbourne International Film Festival, but had not connected with voting bodies until the FCCA honour.

Nominated films that went home empty-handed but which indicate what a diverse and rich year that 2018 was for local cinema included Ben Howling and Yolanda Ramke’s zombie thriller Cargo (3 nominations); Leigh Whannell’s gruesome sci-fier Upgrade (2 nominations); Alena Lodkina’s rural drama Strange Colours (4 nominations); Joel Edgerton’s family melodrama Boy Erased (3 nominations); and, Jason Raftopoulos’ West of Sunshine, for which leading man Damien Hill received a posthumous Best Lead Actor nomination.   

LITTLE FCCAS: THE 2013 FILM CRITICS CIRCLE OF AUSTRALIA AWARDS

Hosted with a ‘fun-uncle’ vibe by the organisation’s president Rod Quinn at  Sydney’s Paddington RSL Club, the 2013 Film Critics Circle of Australia (FCCA) honours were split amongst Kieran Darcy-Smith’s Wish You Were Here, Cate Shortland’s Lore, Wayne Blair’s The Sapphires and Peter Templeman’s Not Suitable for Children.

Blue Tongue Film’s Wish You Were Here (pictured, above; cast members Antony Starr, Joel Edgerton, Felicity Price and Teresa Palmer), a drama chronicling the ill-fated adventures of a group of young holidaying eastern suburb well-to-do types, scored Best Picture honours for producer Angie Fielder, a Best Actor trophy for Joel Edgerton and FCCA kudos for Best Screenplay and Best Editing.  With much of the cast and crew absent, it was left to Fielder to accept all but Jason Ballantine’s cutting nod.

Mirroring the recent Oscar moment, the Best Supporting Actor gong was shared between the film’s Antony Starr and Not Suitable For Children’s Ryan Corr. The charismatic Corr got the night’s biggest laugh when he suggested that, in response to the AACTA awards being called ‘The AACTA’, the FCCA trophy should adopt its own acronymic moniker (just try it…).

Cate Shortland’s long-in-development follow-up to Somersault, the German-set World War 2 drama Lore, took home the coveted Best Director gong, as well as Best Performance by a Young Actor for lead Saskia Rosendahl (pictured, left).

Box-office winner The Sapphires nabbed Best Cinematography for Warwick Thornton and Best Music Score for Cezary Skubiszewski. In addition to Corr’s win, co-star Sarah Snook surprised many when she snared a Best Actress nod for Not Suitable for Children ahead of The Sapphires Deborah Mailman and Wish You Were Here’s Felicity Price.

Adding to the left-field choices was Rebecca Gibney’s Supporting Actress win for PJ Hogan’s critically-divisive dramedy, Mental. Gibney seemed genuinely moved by the recognition and proved to be a good sport when asked, at the last moment, to present the Best Documentary honour, won by Ian Darling’s Paul Kelly: Stories of Me.

Other presenters included entertainer Paul Capsis (“I was asked to do this, like, five minutes ago”), actor/director Jeremy Sims, actor Steve Le Marquand and sponsor Foxtel executive James Bridges.